Looking Good At The Table - The Monk

Submit your practice drills or routines in this forum using the CueTable diagramming tool. This will be a single location for people to find help with drills and practice routines.

Moderator: Moderators

Forum rules
Rule 1: Posts must be in English or have an English translation.
Rule 2: No spamming, trolling, flaming or use of foul, defamatory or abusive language.
Rule 3: Any posts that encourage illegal intent will be removed and the account disabled immediately.
Rule 4: No advertising of any sort. You may advertise in the Advertising forum only.

The moderators reserve the right to edit, delete, or prune any and all Messages which, in our opinion, violates any of the rules as stated above. Offenders will be warned and may be banned for non-compliance.

Looking Good At The Table - The Monk

Postby predatorblak1 on Thu Jul 17, 2008 12:04 pm

Looking Good At The Table
By Tim Miller aka "The Monk"

Sometimes I hear students confess that they would like to become a professional player. I admire that kind of ambition. It's great to have lofty goals in this game. You will find that through out my entire course, I am directing you to become a professional player. Keep in mind, there is a difference between a professional player, and ones who travel on the tour. You can become a professional without joining the tour. Being a professional is simply going about this game in a professional manner. When my student steps to the table, they are professional in every sense of the word.

Monk Billiard Academy students go through the same professional routine on every single shot. A good stance comes from a good rhythm. Break up the rhythm, and you break up the stance. Break up the stance, and your game breaks down. You are no longer a professional is you are constantly out of rhythm. Here are the steps taken by a Monk Billiard Academy student.

1. Stand up and observe the shot.
2. Decide on the stroke you are going to use on this shot.
3. Chalk your tip.
4. Visualize your shot.
5. Step forward and get into your stance.
6. Rock Back and forth.
7. Visualize the shot again.
8. Come to a stop on your final practice stroke.
9. Visualize the shot with this stroke.
10. Draw back, pause, and hit the cue ball.
S11. tay down until all the balls have stopped rolling.

When the shot has been delivered, get a feeling about the shot. Try to feel if it was done the way you planned to do it. Take a moment to feel the hit of the cue ball. Feel it for a moment. Then let it go. Proceed to the next shot and repeat the same routine. Do not ever attempt another shot while the previous one is still in your mind. If you shoot a spectacular shot, let the excitement down down before shooting the next one. If you get out of line, clear the shot from your head and begin all over again. Often in my visualizations, I see the position I desire for my next shot, and when things do not work out the way I expected them too, I have a hard time shooting the next shot because I still have the vision of the way things were suppose to be. I must clear the entire shot from mind before moving on. When I get the wrong position, I do not beat myself up. I stop and ask myself if this would be a good shot if my opponent had left it for me. And often times, the shot is fine. It just wasn't what I expected. If I am professional, I will deal with the shot as it presents itself. I will go through my professional routine and deliver a confident clear stroke. Most of the time, the results are favorable.
May all the rolls go your way.
User avatar
Forum Thinker
Forum Thinker
Posts: 147
Joined: Sun Jun 29, 2008 1:18 pm
Location: Quezon City

Return to Practice Drills and Shots

Who is online

Users browsing this forum: No registered users and 1 guest